Collection of 3 photographs. A young man, wearing high collar and lilies of the valley in buttonhole; young lady with long hair, sailor type hat with flower and feather, white collar; young lady with hair combed back from face, white front on dark dress with bunched shoulders, tucked sleeves and bodice.
Unidentified daguerreotype in a plain leather and velvet case of a woman, seated, wearing bonnet with white ribbons and flowers, holding parasol, background of classical pillars, head lightly coloured.
Ambrotype in case of a woman, seated, youngish, hair straight, drawn back off face, lace collar, gold chain, background drapery and vase of roses. Head, chain and background lightly coloured. in a case of tooled imitation leather, lined with red velvet.
Ambrotypes in case of two unidentified portraits. Woman in left side of case and on right side man, seated, thin face, side -burns, white shirt. Background of drapery and mountain view. Head lightly tinted, shirt front painted white. two portraits in oval frames in one case.
Photograph of Stony Steps or Waterworks Valley, Hobart, Tasmania with Livingstone's house Marydale in the foreground and the Waterworks dam in the background, c.1870.
Photograph collection consists of Walker family photographs and photographs of local Tasmanian scenes. Some unidentified portraits by unknown photographers. Daguerreotypes, ambrotypes, carte de visite, cabinet portraits, stereoscopic views, Hobart streetscapes and Tasmanian scenes
Photograph from the collection of James Backhouse Walker of a view of Hobart from West Hobart. Looking down Murray & Harrington Streets. The photographer is Henry Hall Baily who had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph from the collection of James Backhouse Walker of a view of Hobart looking towards the Eastern Shore. The panorama has been taken from Mr. Roberts' garden with various shrubs and a Norfolk Island pine in the foreground. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph from the collection of James Backhouse Walker of a view of Hobart looking towards the Eastern Shore. The panorama has been taken from Mr. Roberts' garden with various shrubs and a Norfolk Island pine in the foreground. Henry Hall Baily is the photographer. He had studios in Elizabeth and Liverpool Streets Hobart from 1865 until 1918.
Photograph of the Union Chapel, Bathurst Street, Hobart. View of the interior (looking down over the pews towards dais and railed chancel, hanging lamp and windows (which are overexposed and faint). Now "The Playhouse"
Photograph of the track to Fern Tree Bower, Mount Wellington before taken prior to 1879 by Anson Brothers who had studios in Liverpool, Collins, and Elizabeth Streets between 1878 and 1891.
Two photographs of Sunnyside, New Town, Tasmania, home of Thomas Daniel Chapman 1815-1884, Politician. Mt Wellington in distance. The photographer was Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.
Summary of the Will of James Backhouse Walker with instructions for the disposal of his papers, manuscripts, books, pictures, etc. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection.
Stereoscopic views (i.e. pairs of photographs, 2 & half ins. X 3 ins. Taken with twin lenses about 6 ins. apart and mounted to be viewed through a "stereoscope" to give a three dimensional effect). Most were made for general sale by S Clifford, Hobart Town (some also have the stamp of T Williamson, Chemist, or d'Emden, who presumably sold them). One is endorsed ms "M Allport 1862" (Queechy), a well-known amateur photographer, and a few are on plain, unprofessional mounts, one of these being initialed in pencil "J M W".
Photograph of Sarah Island, convict settlement. Photographed "from a watercolour in the possession of James B Walker, made by a prisoner at the settlement and given to George Washington Walker on his visit there in the year 1832" (endorsed ms by? J B Walker)
Sarah Benson Walker's reminiscences of her life in Hobart Town as recorded by her son James Backhouse Walker. It includes narrative of the voyage out, and descriptions of Hobart in the very early period, information about Hobart personalities as well as the story of Sarah Benson Walker's life
Photograph of Queenborough, Sandy Bay, Tasmania, c.1881. The photographer was Alfred Winter who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Photograph taken "Near Fort Macquarie" Sydney from water, looking at landing steps, and showing row boat, horse and cart, dog, cliffs, steps & distant ships' masts.
Photograph from the collection of James Backhouse Walker of a view of Mt. Wellington from the foot of St. George's Hill in about 1870. The view is from the corner of Albeura St and Sandy Bay Rd. The photographer's name, Woolley, is recorded in a note on the reverse and presumably refers to Charles Alfred.
Photograph from the collection of James Backhouse Walker of a view of Mt. Wellington from St. George's Hill with Hawthorn Cottage in the foreground and Bishopscourt - Garden Crescent and Davey Street Chapel in the background (according to notes on the reverse). The photographer was the Anson Brothers, whose firm was located in Liverpool, Collins and Elizabeth Streets between 1878 and 1891.
Photographs of Mt Wellington, Huon Road, Fern Tree Bower, Waterworks. Taken c1870-1882 by photographers Anson Bros., Baily and Albert Sargeant Photographers
Photograph of Margaret J. Benson and Annette M. Benson, dated October 1910. Shows two middle aged ladies seated in a garden, wearing long silk? signed: "Margaret J Benson, Annette M Benson MD when home from India October 1910, with love and best wishes from Mary & Maggie" (Margaret J Benson D.Sc., was Professor of Botany, London University 1912-1922).
Photograph of road to Mt Wellington showing man with a gun hunting. Taken in about 1870 by Alfred Winter, who had studios in Bathurst, Elizabeth and Liverpool Streets from 1869 until 1891.
Unidentified daguerreotype in a plain leather and velvet case of a man, seated, young to middle age, with side whiskers. Head lightly coloured, shirt front painted white, plain background, 1 pillar
Ambrotype in case of a man seated, youngish, straight, short hair, moustache and beard, leaning on elbow on side table with books and lace cloth, plain background, slightly tinted.
Various photographs of Macquarie Street, looking north taken c1877-1893-4. Photographed by Beattie (electric tram car), Winter, Anson Bros, and H H Baily
Photographs of Maatsuyker Island located 5.5 kilometres off the south coast of Tasmania. The island comprises part of the Southwest National Park and is a Tasmanian Wilderness World Heritage Site. The Maatsuyker Island Lighthouse, the southernmost Australian lighthouse, is located on the southern tip of the island
Ambrotypes in cases of little girls. Both seated, wearing black and white Pierrette type white dresses. One child has ringlets. Cases: tooled imitation leather, lined red velvet, frames oval top.
Letter from George Washington Walker in Hobart to his son James Backhouse Walker, expressing his desire to meet him in Melbourne on his return from England after attending school there. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 36a
Letter from James Backhouse Walker in Hobart to his sister Mary who was painting in Quinperle, Brittany. It sets out the Walker genealogy at length and describes the ships which carried Collins and his party to Sullivans Cove. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page 40
Photographs of Lake St. Clair at the southern end of the Cradle Mountain-Lake St Clair National Park. Is part of the Tasmanian Wilderness World Heritage Area. The Cradle Mountain-Lake St Clair area was declared a scenic reserve in 1922, a wildlife reserve in 1927, a national park in 1947 and a world heritage area from 1982.
Photograph of Joan and Ursula Walker, daughters of John Ridley Walker (1847-1915) and Adah Caroline Giblin. Ursula seated at garden table, Joan standing behind, with cat.
James Backhouse Walker's certificate of membership of the Royal Geographical Society of Australasia, 1885. From Walker Family Scrapbook compiled by Peter Benson Walker. Private collection. Page39
Collection includes Walker's official correspondence on University Council matters, notes of meetings, comments, drafts of regulations, news cuttings etc.
Photograph of unidentified house with pillared verandah and shrubbery, paling fence, other houses beyond (? Hobart). A man, woman and child faintly visible on verandah.
Photograph from the collection of James Backhouse Walker of a view of Hobart, looking towards St. George's Hill, Battery Point. Showing St Georges Church and James Luckman's windmill probably taken in the 1870s.
Photograph from the collection of James Backhouse Walker of an elevated view of Hobart looking east taken near Browne Street, (about 1876, according to a note on the reverse). Warwick Street in the foreground. Photographed by Henry Hall Baily who had studios in Elizabeth and Liverpool Streets, Hobart from 1865 until 1918.